So the show at the Dance Parade After Party in Tompkins Square Park really kicked ass. It was my first one with just me, backing tracks, and backup dancers and was so much fun. Also it was the first show in a long time that I didn’t have to bring the damn crowd, which was so great. There were about 200 people crowded right around the stage watching and more standing around the park listening, so that was awesome. The sound system was great and the dancing went great and I really held it down. Through it, I met a few DJ’s who all said they’d like to work/perform with me and/or spin my stuff in clubs, so that is totally awesome. I’ll finally get the club play I’ve been dreaming of!!
1. It definitely helps to have an identifiable genre/sound that you belong to. Though I’m specifically going for dance-pop since I want mainstream success, my music is similar to some House music, and people kept coming up to me after the Dance Parade show saying “So you’re a house artist, right? I love house music. I’m a house DJ, you should come play at this club…” etc etc. When I was doing other types of music and trying to figure out what direction to go, no one ever said, “So you’re a country/pop/comedy/dance artist? You should come play at my country/pop/comedy/dance show…” because no one has multi-genre shows and opportunities for the most part. Each genre has its own world and its own path to success. Singer-songwriters have the coffeehouses, college circuit, songwriter groups, rock clubs, etc, dance artists have djs, producers, club performances, etc, rap artists have battles, mixtapes, etc etc. So picking your genre will make it much easier to see the path you have to travel. Now that I know I’m doing dance-pop/house, I know I need to pursue DJs and producers who will play and improve upon my tracks and spread them around, and I need to perform in straight and gay dance clubs, not coffeehouses etc. Makes things a lot clearer and when you know what you have to do, it’s a lot easier to get it done.
2. At an AIMP song pitching event, one of the record label A&R guys explained that a hit song is really just a series of hooks. A great hook for the verse, a great hook for the prechorus, and then a series of a great hook, an even better hook, and the biggest and best hook comprising the chorus. Then, the bridge should be even better than the rest of the song. This is so true. Think of a hit song on top 40 radio right now, and it’s likely it will fit into that mold. Now that I know that, I think it will help me make sure my songs are hit material.
P.S. I’m getting a wee bit sick of doing all this self promotion, which is a hazard of this job that I never thought of before. It gets sort of boring and annoying to have your life be about you you you all the time. That makes me laugh though. And the simple fact is, if I don’t do it, no one else will, and it’s required for getting anywhere in music, and I am determined to be successful at this, so that’s life I guess. And now, back to twitter/myspace/facebook/thesixtyone/gmail. Barf.